• 28Feb

    Girlish & Grandma, originally uploaded by texasgurl.

    I don’t love L.A. I can admit that what you’ve heard about the weather is true: it’s almost always warm and sunny there. But most beautiful days are spent under pale skies, the horizon obscured by a haze so omnipresent you must love weather more than you love sky not to be bothered by it. On a few clear days in January and February, when you can see the ocean or the skyline in the distance, Los Angeles opens up and feels (almost) like a place I would like to live. Most other days, though, I find it crowded, polluted, and poxed by powerlines and a stripmall aesthetic.

    Los Angeles has one singular redeeming quality for me, though, and it’s not the sunshine. It’s family. Goodlooking’s entire family lives there. His mother and her two siblings, their children, and his three sisters. For five years just after Girlish was born, we lived there, too, and in my life, there have been few things as sweet as watching my children grow in the bosom of a group of people who love them almost as much as I do.

    I have been so happy on our London adventure. Seeing and doing new things, taking photographs, volunteering, traveling to Germany, Spain and France over the last six months. But yesterday morning, after a lovely wedding for Rod’s cousin at the beautiful Mission Inn in Riverside, we left L.A., dragging my thousand-pound heart behind me.

    This visit, Baybish discovered her Grandaddy. She toddled up to him in his favorite kitchen chair where he sits, reading the paper much of the day. She handed him shoes and other interesting objects, or threw toys at his head when he didn’t notice her quickly enough. When she got his attention (which was always) she rewarded him by batting her eyelashes and babbling conversationally. And although I was ready to come back to London yesterday, it broke my heart to take her so far away from him so soon.

    Then, around three a.m. this morning, a jetlagged Boyish crawled into my bed, wide awake and begging to get up and watch Scooby Doo. I kept him close, stroking his back in hopes of soothing him back to sleep. He tossed and turned, pressed his damp cheek against mine, and I asked him, “Are you sweating, Bear, or crying?”

    He rolled over into my chest and sobbed, “I want to see my Grandma!”

    “You’ll see her soon,” I whispered. “She’s coming to visit you soon.”

    “Is she on a plane right now?” he asked.

    It’s hard, see? I’m caught between giving my children the comfort of close family, close by, and the adventure of learning that the world is small and that the place they have in it is—complex. So here I am, pushing 40 with three small children, and still not knowing where I belong. I love the idea of settling down, raising my family in one place, but honestly, I don’t know where that place is, or when we might get there. In the meantime, I can only keep trying to make the most of where I find myself. For all of us.

  • 22Feb

    So, I haven’t told you all but I have new obsession: film photography. It started when my amazing neighbors introduced me to an amazing fashion photographer here in London. She shoots for British Vogue, among other things, and her style—which blew me away—is straight analog. No digital. Her images impressed me for their richness, both in color and texture, as well as their natural lighting. I’ve been wondering about portrait lighting, both in the studio and outside of it, and I had an idea that it was very complex, and since her results were so natural I was anxious to see how it was done. I pictured complex configurations of strobe lights (I don’t even know what strobe is, actually, but I want to know) big translucent umbrellas and softboxes, maybe some of it managed with some unknown program on a computer.

    And I was going to get to see it, right? Because this amazing woman invited me on a photoshoot, which I went to just before I left for the States. And I discovered that the natural “effect” that she had achieved was accomplished by using—go figure—mostly natural light. From a new-fangled contraption that all the photographers are using these days—maybe you’ve heard of it? The window? It’s all the rage. At least in London it is. And can I tell you how much this pleased me?

    It pleased me a great deal.

    So, now I have this vintage medium format camera that I acquired, and I am experimenting with it. I also conned my father-in-law into letting me borrow one of his old 35mm film cameras. It has a sweet little 50/1.4 on it, and I’ve shot three rolls of film so far. I’m hoping to get it developed today or tomorrow. The day I figured out how to work the light meter on that thing was a big day, so I’m not exactly sure what I’ll be getting back, but I’m still looking forward to it. Like Christmas.

    Anyway, I’m headed to San Diego on the train right now (alone—going to see Aaryn one last time while I’m here, and meet her family), and I brought only the film cameras. As I was handling them on the train just now, loading film, shuffling them around in my bag, feeling all affectionate towards their sturdy little bodies, there was a moment where I thought of my D80, packed safely away in my camera bag on the bed back at my in-laws, and I felt a little pang in my heart. I have kept that camera on my person, or damn close by, for over a year now. I have gotten up in the night, more than once, just to confirm its whereabouts so I could sleep. This is the first time I’ve gone anywhere intending to take pictures and left it behind, and I—I feel—sad. Like I have been inconsiderate of a friend who has been nothing but nice to me. Like I have run off with some new friends who are more interesting and exciting in the moment, and left my good loyal friend sitting at home, waiting by the phone for me. I mean, I’m not crying actual tears or anything, but I had a genuinely sad moment, where I worried about my camera’s feelings.

    Seriously.

  • 16Feb

    In the library today, working. Feels good to work, but I have one more essay to finish and major revision on a story to undertake before I can send in my next packet for school and I am feeling woefully behind.

    We are in California, however, and life is good, good. We arrived in NoCal last week and drove from Sacramento to Sausalito to stay with my mother, see my sister, and meet up with Aaryn, who, it turns out, has been carrying around a piece of my heart for who knows how long, and only now that we have met and she has given me a little tiny piece of hers can the earth go on spinning properly on its axis. I have met a few such people in my life, and it’s the luckiest most wonderful damn thing ever.

    And I would say more about it—like how she’s got the most amazing green eyes, and she’s gorgeously tall and has an uncanny ability to size up a situation or a relationship in a few well-chosen words, and—I could go on (an on) but honestly? I don’t want to share it that much. So:

    We hauled around a mess-o’ cameras.

    And took pictures

    We drank quite a bit of wine.

    We talked and talked and talked.

    And it was pretty fucking magical.

  • 05Feb

    I miss you. I think of you every day. I think of all the things I want to tell you: like how Baybish has some words now (”light” and “hot”); how Boyish is growing up so fast–he’s dressing and brushing and wiping his cute little bottom (hal-lay-effing-looooo-yah) all by himself; how Girlish has finished all 7 Harry Potters and now started in on the Lemony Snickets (they’re shorter; she’s four books in already).

    I think about how I never wrote about Katie’s visit, and how awesome it was to have her here, and how awesome it was to just talk photography with someone whose eyes didn’t glaze over when I bitched about shutter speeds or flash diffusion. We took a walk one night and I stopped to look at the moon through the bare branches of a scraggly tree, and I thought, “Nah, too far away. Wrong lens.” And Katie said, “What, do you see something?” And it was the way she said it–the word “see“–that was so lovely to me. See, it was a photographer’s “see“, and all it implied, and it just felt so great to be understood in that tiny way. And so although I was only looking for something, and not actually seeing anything that I could capture, I took the shot anyway, just to please her.

    And I also never told you about Deb, and how nice it was at her house. Or maybe I told you about her house, but I know I didn’t say enough about how she’s like a pixie or brownie, maybe–one of those tiny fairy-type creatures that’s more mischief and mayhem and less sweetness and sparkly dust? She has a big smile and we have waaaaay too much scariness in common. And did I show you this?

    Her kids are funny.

    And while I was there, we talked about what camera lens she should get next, and I sort of talked her into a particular one, and then she got it, and Oops! It wouldnt’ autofocus with her camera. So she had to buy a new camera, and holy shit, you should see the pictures she’s taking now.

    So that worked out.

    And I’ve been trying to think of ways to make the blog fit into my life better now–maybe write about the books I’m reading or something, so I can multi-task. Because whenever I’m not writing my own stories lately, I’m writing about someone else’s, and when I’m not doing that, I’m trying to take pictures, and then there’s chickens to feed and laundry to do, and the dishes don’t do themselves, you know. And, oh, yeah, my blog.

    So, oh, I’ll say it again, I miss you guys. I miss the support I get from knowing, after I post, that I’ll hear from a few of you. I miss participating in the conversation. I am determined, though, not to give up. It may be quiet around here for frustratingly long periods of time–for you and me both–but I will get it worked out, I swear.

    (sniffle) ‘Cause I love you guys.